reverberating interferences – explorations into thingness is now an “Official Selection” at the WRPN Women’s International Film Festival.
Exciting news: The film of our second performance reverberating interferences – explorations into thingness was included into the official selection of the Fine Arts Film Festival (FAFF) 2022 organized by the Venice Institute of Contemporary Art/ViCA.
Our film reverberating interferences – explorations into thingness is an AWARD WINNER as Best Sound in the Featurette Movies category at the 2022 Festival Internacional de Cine Independiente de Madrid (FICIMAD). Huge thanks to Martin Hug (percusion, art performer & música electrónica)!
Presentation of “Listening as act of response-ability” at the IV Interactive Film & Media Virtual Conference organised by IFM Lab: Interactive Film and Media Research Network of the Toronto Metropolitan University.
The video presentations, research-creations, and workshops featured at the IV Interactive Film & Media Virtual Conference from June 8 to 10, 2022 are accessible in a special issue of the Interactive Film & Media Journal.
Presentation of the paper “Towards an Awareness of Interferential Reverberations” at the two-day virtual symposium Dismantling the Body: Possibilities and Limitations in Art Making on May 18–19, 2022 organized by he Graduate Students of Art History (GSAH) of the University of Washington.
The symposium aimed to bring together scholars and artists to explore the interactions between body and place, the production of bodily knowledge, the regulation of the body, and its agency.
The annual Theatre and Performance Research Association (TaPRA) conference was held online & Co-Hosted by Liverpool Hope University between 6-10 Sept 2021. Having been invited by the Working Group on ‘Bodies in Motion: Margins, Intersections, and Vulnerability’to the panel (Unwanted) Motions, and stillness against permeable entities I presented my paper “Movement as a form of knowledge – unlearning the prevalent by realising patterns of interference”. The conference provided an exciting and really rich experience and learning source.
The final project running under the working title reverberating interferences – explorations into thingness has been realised in a Covid version as a film project with shooting dates between the 23rd to 25th October 2020 Wayne McGregor studios. The material is currently to be edited.
Some material has been published throughout the process on instagram.
The 2-day conference at the Aarhus University (Denmark) exploring the current landscape of research on posthumanism just finished yesterday. While I was only able to participate online it was a great pleasure to be part of this event full of highly interesting contributions.
The age of human exceptionalism is over. The Enlightenment human, Descartes’ autonomous Res Cogitans and Da Vincis Vitruvian Man, is gone. We have awoken to a world where humanity is not at the center of the universe. Where our relation to the world around us is not one of subject relating to an external object, but rather of intricate interconnection.
Posthumanism 20/20 takes stock of this strange new world with researchers from a diverse field of disciplines presenting their work, and few stones remain unturned, as the many different perspectives on posthumanism are explored – with research ranging from international relations to literature.
Find the full program here. I also was told that the talks will be made available later this month.
Due to Covid19 impact this year’s CREAM summer symposium was presented online only. Presenting via zoom was a new and unique experience reminding me what I am missing out on under our current ongoing Covid restrictions. However also making positive experience and being in touch via the virtual ends is at least one way of reaching out. My presentation was titled “Towards an after image of the afterimage of Agency”.
In November 2019 I presented at the After Agency Conference at the HAT Research Center in Poznan with an attempt to line out a re-definition of ‘agency’.
In December 2019 I tried to make sense of these ideas for the future progress of my project at your yearly CREAM Winter Symposium. This marks the frame for a decisive chapter and the next presentation in context of the project.